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June 2021

SKILLS I’VE LEARNED AT ART MANIA STUDIO

By | Art, Disability

In the last few weeks, I’ve been struggling with my inner critic,. Every time I’ve sat down here at my laptop and tried to put a post together, my inner critic has woken and started nagging at me, making me question everything I’ve tried to write. So this post is going to be a little different. Today I want to acknowledge the things I’ve learnt in the last eighteen months at Art Mania.

1. I have learnt that as a blind woman, I can paint.

I don’t need to see what’s going on upon the canvas. I don’t need to be able to see what I’m painting with my eyes. I can paint in my own unique way. By responding to music, painting the movement and sound. The emotions that the music brings up. I can also paint what my eyes, in my case my hands, observe. I learnt all of this by taking a chance on a suggestion from the woman who has been mentoring me this year, Ashlee. By trusting her and trying out the suggestions she gave me, I’ve discovered a skill I always thought was beyond me.

Sam standing in front of one of her paintings at an exhibition.

2. I’ve learnt to cut glass enabling me to create pieces for fusing.

I would never have thought I would be able to create pieces of art in glass. The first time I got to play with glass was in a one day workshop making wind chimes. I’ll be honest, I had no idea that part of the process would include me cutting and grinding all of the glass pieces I would need. If I had, I probably wouldn’t have booked my spot. By the time I realised what would be involved, it was two nights before the workshop and Fee was offering to provide the glass pre-cut. She never said I couldn’t do it, in fact, she encouraged me, wanted me to at least try to cut the pieces for myself. She was simply offering me an alternative if it proved too much for me.

Sam doing some glass work.

That’s when I had to prove to myself that I could do it. Even so, I didn’t expect to be regularly working with glass as I am now. That workshop was a turning point for me. I discovered skills I never thought I had, not just because of my blindness. It was more about the fragility of the glass and the viciousness of its bite if handled wrong. That day opened new ideas and possibilities in me. I started taking the weekly classes and felt like a clumsy idiot for most of my first six months. But Fee and Andrew and the other students around me encouraged me. Working with glass is now one of my favourite mediums to work with.

3. I’ve learnt how to paint with glass.

Again it was a wonderous day when Fee came back from a course in Melbourne and showed us all what could be done with glass powders. It’s like painting with butter icing and is as much about texture as colour. I love making textures of different types and thicknesses. Again, at first, I felt clumsy and like I had no chance of ever getting it right. And again, it was Fee who gently, but firmly pushed me to keep going and find the skills needed to create the pieces I am so proud of now.

4. I’ve learnt to how to use a grinder.

A couple of different grinders. And that was and is something I still get excited about, knowing I can do it.

5. I’ve learnt I can use a drill.

While doing a hebel carving workshop last year, I had to drill holes into the stone to be able to remove the excess. I still have the video a friend took of me drilling into my slab of stone. A very large piece of stone, because of course, I had to have the biggest piece. Again, as in all the other situations, Fee and Andrew never questioned my ability to achieve these goals. Rather, they gave me the support and assistance I need to complete the job.

Sam at a hebel carving workshop.

6. I’ve learnt that my hands can see as well as other people’s eyes.

It wasn’t until I made a sculpture of my last guide dog, that I learnt this. When people saw the sculpture, they knew it was Roscoe. I had expected them to be able to see it was a dog and even that it was a Labrador, but they saw Roscoe in the clay.

Jimmy with his Jimmy sculpture- made by Sam.

7. I’ve learnt to let go of the perfectionist who has stalked me all my life.

I’m not sure when or how, but I think it began when my mother told me, after I asked her about how I could possibly get it all right with my art. She told me that I should “embrace the imperfections”. This didn’t mean my work would be less. It just meant to I needed to work with what I have and embrace the uniqueness that I have and which is imprinted in all my work.

There are many other things I could write here, but I think I’ve proved my point. I would like to take this chance to say thank you to everyone wo makes up the Art Mania family. Thank you for all your support and help and encouragement and love. You have helped me find my creativity and myself.

Ashlee and Sam at one of Sam’s exhibitions.

I wanted to finish here by saying, if you have been following Art Mania on social media, but haven’t yet managed to make it as far as signing up and attending one of our classes. I hope this will help push you to take that chance. You won’t regret it and will discover a whole family you never knew you could be part of.

The Two Jimmys

By | Art, Disability, Lifestyle

When I started taking classes in pottery last year, I began to hand build creatures out of clay. They were initially creatures from my head. Mythical creatures that live in dreams and fantasy stories. One day, I was beginning what I expected to be another mythical creature. This piece of clay had other ideas, I sculpted my last guide dog Roscoe.

That sculpture showed me just how well my hands can see. It doesn’t just look like a dog, it looks like him.

After this, Fee suggested I could make other animals and give them disabilities. Show through sculpture the abilities of people with various disabilities. The idea was to create the animal and then write a story of their journey. This story could continue when they found new homes. Incorporating the journey of the person, or people they found homes with.

One of the first animals I made was a water dragon. I had a willing model to use as my guide. Jimmy, Fee’s water dragon who lives at the studio.

I’d never touched a lizard like him. I’d stroked the backs of a couple of blue-tongues and gone out of my way to avoid any opportunity to pat a snake. I knew that Jimmy was at the studio and was curious, but didn’t actually meet him until I decided to sculpt him.

The first time I held him was magical. He sat on my hand and I could feel him breathing. I was afraid to move. Not because I was scared of Jimmy, rather, I was afraid of disturbing him. His skin felt like rows of little bumps, His spine is smooth, as long as you stroke him down from head to tail. The most surprising and beautiful thing that day was that he let me touch his face. I moved my hand very slowly and gently from the back of his head over his face, prepared to stop at any sign he didn’t like it. He didn’t react at all.

I’ve always been told I have a very gentle and smoothing touch, but that day, I felt like I’d been given one of the greatest gifts of my life.

Slowly I started to get to know Jimmy and he began to know me. He liked to lie across my chest and tuck his little head under my chin. And for me, I loved the feel of his skin under my fingers. Slowly I realised that I was far calmer and in the present when I held Jimmy. I also got to know what he looked like with each session. All of this memory and feeling I put into my sculpture.

It’s been a long process. What with lockdown and other projects getting in the way, but Jimmy the sculpture finally came home with me. I can see little errors in the work. I haven’t gotten the texture of his skin quite right. The body isn’t narrow enough at the hips. What’s surprised me is that, I can see these errors, but I’m not beating myself up over them. I’ve been taking notes for next time. Learning more about the craft so I can improve with each piece.

Just before I brought Jimmy the sculpture home, with some help, I got a photo of the two Jimmys. Jimmy the Lizzard was quite happy to sit beside his likeness.

I finished the actual sculpting more than six months ago, but Jimmy still comes out of his tank for cuddles. Now he likes to sit on my shoulder while I work. He’ll sit on my back with his head and front feet over my shoulder. Wandering around on my back and shoulders when he wants to find a more comfortable spot.

I’ve come to care very deeply for this magical Water Dragon. Partly because I like spending time with him, but more importantly, because he’s happy to trust me.

He’s been generous enough to let me use him as a muse. So I hope you all like Jimmy the sculpture as much as I do.

 

-Sam Ogilvie

STAFF SPOTLIGHT: JHARNA

By | Art, Lifestyle

Jharna started at Art Mania in the mosaics class last year. She wanted to volunteer at the studio and from this, gain a job. Her role is floor manager and as of last week, teacher’s assistant for the Wednesday morning mosaics class.

You may not realise it, but you have probably met Jharna as she quietly goes about her work. Jharna is the kind of person that everyone needs to know.

She is always happy, always ready to offer a helping hand, and has a fantastic sense of humour.

Jharna is also one of the NDIS participants enrolled in our Business Development Support program. She is busy getting a body of work together for her first solo exhibition. Jharna mainly works with mosaics and drawing. This exhibition will be at the Hunter Wetlands Centre in September.

In her own words: “I am so happy to be working here with such amazing staff”.

She describes the studio as “a beautiful environment” and she loves all of the areas of art available at Art Mania. She “wants to try them all.”

Jharna with some of her mosaic works at an exhibition.

Jharna embodies the ethos of Art Mania. With her openness and generosity, she both wants to learn and offer support and guidance to others. We are incredibly lucky to have her as part of the Art Mania family.

Motivation tips for Winter

By | Art, Lifestyle

As we enter winter, it has to be acknowledged that with the cold seeping in, our motivation seeps out.

I am the first to admit that I would much rather spend the winter months in my bed, with the heating on and several really good books.

I thought I’d investigate whether there is any advice about staying motivated in winter. Interestingly, all of the articles that came up were about fitness and staying true to your fitness routine. I have managed to come up with a few though that I think we can relate back to Art Mania and the practice of our art. So here they are and I hope they help.

Make it a goal to just make it to the studio.

I think, a lot of the time, when we aren’t feeling motivated, it’s more to do with the getting out of bed and getting ready. The effort it takes to get ourselves to the studio or wherever else we need to be. Once you’re there however, you are generally glad you made the effort. So why not make that the goal rather than the doing of the class.

Reward yourself.

If you need a little bit more of a push, try rewarding yourself in some way. Try a series of small rewards that can build up to a big reward. For example, if I go to 3 classes in a row, I can have that dress I really liked. And let’s face it, a chance to justify going shopping … well of course that’s going to motivate most of us to accept the challenge.

Make an agreement with a friend.

Agree to take it in turns to car pool to the studio. That way you have someone to share the hard part and someone else you have made a commitment to. I think we are far more likely to turn up to something, if we are going with another person. And it might just be a perfect way to take a friendly acquaintance into a friendship.

Go for a walk.

The last thing most of us want to do in winter, is have to be out in the cold longer than we have too. But it can’t be denied, the benefits of walking and producing those happy hormones. Why not try parking a little distance away from the studio and getting in a brisk walk before class. It clears out the cobwebs and could even give you some inspiration for your creations. You just never know what you might see.

Give these tips a try and I hope to see you all at the studio. If you get a chance, let me know how useful this has been!