was successfully added to your cart.

Cart

Tag

feature artist

NATURE’S SERENADE

By | Art, Disability, Lifestyle

One of the major themes in my art is the natural world. I’ve used leaves and trees in lino carving that I then printed onto different hand-made papers. Some still feel like the stringy fibres of the trees that they originated from. In my glass work I’ve been using the natural elements of earth, fire, water and air to create pictures using powdered glass. I’m building up quite a collection of clay animals as well.

When I found out I would be having an exhibition of my own, I was of course, very excited. Learning that it would happen at the wetlands was even better. I’d never been there, but I did know about it and everything I heard was positive.

A couple of days ago, I finally got a chance to visit the wetlands for myself. It was the perfect day, sunny but not too hot.

My first impression was one of peace and of the world slowing and taking time to breathe. I felt the warmth of the sun on my skin. The various birds sang, intermingling and creating a symphony of joy and life.

As we slowly walked along the paths, the gravel crunched beneath our feet and I could feel the texture through my shoes.

I stopped to feel one of the totem poles scattered around the wetlands. It felt worn smooth over time. Criss-crossed by carvings that read like road signs in a tactile language akin to the braille I read. I could feel my thoughts slowing and images and words drifted through me. They slipped in and out in a meditative manner, not necessary to be held onto or analysed.

I learnt of a bird known as a magpie goose and arrived in time to witness their daily meal. They gathered in a group on the bank where their food had been left. They ate and a couple in particular kept up a gentle honking conversation. As each bird took to the water again, their entry sounded like a gentle wave washing over the shore of a harbour.

Their black and white colouring made them a good contrast with the earth they fed on and so I was able to make them out. They were bouncing balls of contrast to my eyes.

We ended up sitting by another pond along the sensory trail. The seat we sat upon was in the sun, while in front of us, the ground was dappled with sun and shade. As we sat quietly sketching and writing, magpies strutted back and forward in the space before us. The only thing making it possible to make their existence out, was their movement. The shifting of something before me.

I found myself sketching the trunk of an old tree. It had pieces of bark, some as large as my sketch pad peeling away from the trunk. Peeling away like old skin, making room for the new, clean and green regrowth to come through.

Those couple of hours were exactly the nourishment I needed. To be able to touch nature with my hands, my feet. To be serenaded by bird song, snapping twigs and gently shifting water. The sound of the light breeze in the trees. I found myself writing poetry as well as sketching.

I’ve come away feeling revived and my creative flow running smooth and thick with ideas. It was definitely an experience I will make sure I have again.

If you are feeling smothered, stale, just over the world, especially now with Covid- take a walk in nature. Nothing will revive you as well as the natural world. And you don’t have to worry about social distancing from trees.

– Sam Ogilvie

UPDATE: SAM AND HER GUIDE DOG AIMEE

By | Art, Lifestyle

This past week has been all about Aimee and I getting to know each other. It’s been both emotional and exhausting. It’s been all about highs and lows. I’d forgotten the details of how it is to train with a new guide dog, but I love it.

We did our first proper walk together on Wednesday afternoon. It was a couple of laps of Lambton Park. She was fantastic, I lost count of the number of dogs in the vicinity, but Aimee just dismissed them all as unimportant.

The highlight came when we were coming to the end of our first lap and we came on a guide dog puppy preschool session in progress. Aimee’s response can be described best as one of a rockstar accepting the adoration of her fans.

I’ve been telling her ever since that all those guide dog puppies will be dreaming of growing up to be her.

One of the most important things to develop with a new guide dog, is trust. It’s one of the reasons I’ve always tried to have a gap between my dogs, it makes it easier to bond with the new dog and results, for me at least, less comparison between the old and new. It’s this bonding process that makes it so important for others to keep their distance and not interact with her while we are getting to know one another.

This week is the first time we’ve been in to Art Mania for regular classes. It was mosaics and pottery today and Aimee lay comfortably on her bed under my table in the pottery area. Out of the way, but able to observe what was going on. She wouldn’t have been able to fit last term, but the renovations out the back have created more space and a more practical layout. If you haven’t been out to see it, you really should.

I want to take this opportunity to thank everyone, students and staff for your understanding and support for myself and Aimee.

I know many of you read my last post and took the message on board. There have also been others, particularly new people who have asked me what’s right and wrong in regards to a guide dog. You all have no idea just how much I appreciate all of you. One of the hardest things to deal with when you have a guide dog and are out in the public, is when people reach out and pat the dog without asking. Worse are the ones who say “oh I know I’m not supposed to ….” So thank you all so very much.

Not being able to talk to Aimee, doesn’t mean you can’t talk to me. So, please, feel free to say hi and ask any questions you might have about the journey Aimee and I are on, or anything else you have been curious about, but didn’t feel comfortable asking me.

-Sam Ogilvie

Featuring Lee-Anne Corrigan

By | Art, Virtual Gallery

Lee-Anne Corrigan is a Novocastrian Artist and Art teacher, who loves painting portraits and contemporary themes in oil, acrylic, pastel and mixed media.

Lee-Anne’s qualifications include Diploma in Art, Diploma in Education and Post Graduate art University of Newcastle.

She has worked full-time and part-time in Secondary and Tertiary Education since 1983 as an Art teacher and instructor and have taught Children’s Art classes since 1990. Lee-Anne also held a position of the Art Director at Society of Artists between 2016 and 2018. Presently you can find her working as the early childhood art educator at The Rumpus Room Early Childhood Centre.

She has been actively pursuing her passion for Art in competitions and exhibitions and have received awards from The Society of Artists, winning The Newcastle Prize for overall Best Painting in 2018 for her oil painting of Three Kings.

‘Princess Dreaming’ 

Oil on canvas, 75 x 61 cm, $550

Artist Statement: Children are often the subject of my artwork. I have always enjoyed teaching children at my home art studio since 1990. This painting is a whimsical composition depicting children at play as they explore dress up and dreams. It is inspired by Chagall, one of my favourite artists.

‘Encaustic Still-life’ 

2020, Mixed media and beeswax 31 x 25 cm, $120

Artist Statement: This year I have turned my home studio into an encaustic art studio for experimenting with hot wax painting as an extension of my interest in mixed media. My husband keeps bees and I make my own paint with beeswax and Damar resin. It’s an exciting medium to explore and blend with drawing, painting, collage and 3-D art forms.

‘Portrait of Kurt Fearnley’

2018, Oil on canvas 75x 61cm,  $550

Artist Statement: I painted Kurt’s portrait for the Portrait Painters Hunter annual portrait exhibition. I met Kurt while I was working as early childhood art educator at The Rumpus Room Childcare Centre.
Kurt Fearnley is a renowned Novocastrian and Australian wheelchair racer who won gold medals at the Paralympic Games. This portrait was voted People’s Choice in 2019.

‘Profile with a water pot’

2020, Pastel on colour-fix paper, 47x37cm, $160

Artist Statement: A profile photo from my travels to Uganda was the subject for this pastel portrait drawing. I love to teach portraits to my students and I made this one for a Zoom Art class during lockdown.

Introducing Samantha Ogilvie

By | Art, Virtual Gallery

How do you keep creative during lockdown?

 

I’ve been very lucky when it comes to lockdown. I’ve been able to continue one on one classes at Art Mania using Facetime. These sessions have been the highlight of my week and has given me something to look forward too, especially during a dark week.

 

I’ve found that it’s easier if I make sure I schedule in some creative time everyday.

 

It doesn’t have to be anything elaborate, this weekend I’m cleaning up a clay bowl I made on the wheel. This involves shaving off outer layers of clay to clean and shape. I find the rapidity soothing and even meditative. Even just some colouring in will help stay creative. If you’re a parent, it would also help the family to try doing something creative together.

Who’s Samantha and what kind of art does she create?

Samantha Ogilvie has an advanced diploma in Professional writing and editing. She is a poet and blogger who has only recently come back to art.

She works with several different forms, styles and materials. Clay, mosaics, glass fusing, mixed media and painting. Most of her work is inspired by the natural world and attempts to show just what she can see, rather than focusing on what she can’t. Flora and fauna along with pieces that juxtapose the natural world with the artificial. All the materials Sam uses are chosen for their feel and texture.

 

Nightscape

Artist Statement: This painting is one of several created by the artist where different materials were used to create a textured view of a visual that is often taken for granted. As the artist is blind, the idea was to create something we all know, but from the unique point of view of someone who sees the world differently to the sighted. Rock salt was scattered over the canvas while the undercoat was still wet and more water sprayed over the salt. The salt that didn’t dissolved was shaken off or wet as part of the end piece. This has worked to create a visual representation of the artist’s tactile view. Other layers of paint has also been used to fill out this visual representation.

Landscape of the blind

Artist Statement: This painting was created using the same techniques as the previous painting. Rather than using salt, the artist has experimented with other materials. Glue was applied with a glue gun to make the surface of the painting uneven and textural. Once the under-coat of paint was applied, different colours of wax were dripped across the canvas. Again, it is created to try and give those the sighted world, a glimpse into what someone without sight can see and just how much their hands can actually see.

Lockdown Tatoo

Artist Statement: A shop mannequin consisting of torso and top of the thighs. Using multiple materials I wanted to create a piece that expressed the effects of isolation and the new landscape created by Covid-19. the collar hanging around the neck symbolises the loss of control over ones life and the enforcement of restrictions and rules. The leather over the shoulders and upper chest are an armour against the fear of the unknown. the tangle of thread over abdomen is the tangle of the gut when dealing with the new foreign world.

In contrast the torn up pieces of book pages covering the back is the power of words that has always been been available and the shells are the ebb and flow of the tides offering hope that things don’t last and there will be an end. The softest materials represent the softer underbelly in all of us. And the criss-cross materials are to represent the stitching of ones self back together.

Featuring Michelle Nugent

By | Art, Virtual Gallery

How do you keep creative during lockdown?

 

During lock down, I have been experimenting with new ideas, concepts and materials. I start my day with a twenty-minute exploration exercise, and each day I aim to try something different. It also challenges me to produce something in a limited amount of time, which is hard for me as I tend to overthink and dwell on an artwork. I then start my day, which has usually been working on commissions. Follow up with another twenty-minute exercise after lunch to break up my work and reignite my creative juices for the afternoon.

 

I think it is important that we allow ourselves the opportunity to experiment without judgement, and explore without limitations.

 

This is when growth occurs! If you are finding yourself struggling during lock down, I encourage you to try my twenty-minute exercise. Try something new; maybe you have always wanted to try palette knife painting, or use collage in a mixed media piece… It can be anything! Remember to set aside all judgement – it doesn’t need to be a masterpiece!

You might discover something really amazing…

Let’s learn a bit more about Michelle and her art

Michelle Nugent is a Newcastle-based artist, working across a range of mediums.

She produces both personal and commissioned works, for a variety of clients. Her works range from mixed media, watercolour and digital, and are available for purchase as prints and a selection of originals are also available. Michelle is constantly looking to the environment around her to gain inspiration and ideas for her explorative work, and is always seeking new ways to improve her practice.

Organic Exploration #04

Watercolour, Sharpie, and Chalk on 200gsm cold-press watercolour paper, 21cm x 29.7cm, $35.

Artist Statement: Organic Exploration #04 is a study of the basic principles and elements of art in the form of a mixed media work. I have layered different mediums to explore organic shapes and their relationship between rhythm, pattern, and line. The shapes drawn in pen and chalk suggest fluidity and a relationship to water in the organic environment, which correlates to the material used on the bottom layer (watercolour). When creating this work, I imagined water droplets hanging from the linear patterns, creating an overall sense of movement.

Digital Illustrations & Portraits

Digital Illustrations, custom, prices are as follows: 1 Person – $30, 2 people – $50, 3 people – $65, 4 people – $80, 5+ people – $100+. Note: Drawings are customised to each person, thus the exact ones in the images are not for sale and serve as an example.

Artist Statement: These portraits are completely customisable depending on requirements. Using a reference image, I create a character drawing of up to ten people. They are a great way to capture a moment in a fun and creative way. I can add in things that are representative of the particular person, such as wearing a jersey of their favourite team, playing an instrument etc. They make wonderful gifts and look great in a frame.

Meet Ashlee Jedrzejak

By | Art, Virtual Gallery

I must always create, it's who I am...
Creativity for me births the entangled
and chaotic words and feelings
entrapped in mind, body and soul.
It’s my voice - an infinite
wordlessness spoken to the universe.

Ashlee JedrzejakArtist | Art Teacher

Let’s learn a bit more about Ashlee and her art

Ashlee has completed an Advanced Diploma of Fine Art, at Newcastle Art School, and is a practicing artist and art teacher.

She has had a innate passion for creating art from a very young age. Loves experimenting and exploring with an array of different art materials, but particularly enjoys acrylic painting and drawing. Ashlee has an affinity to create with a kaleidoscopic pallet, and uses courageous mark making to produce energetic works of art that are very raw and playful. Her inspiration is magnetized from nature, and day to day experiences.

Ashlee is an immense believer in art, as a means of self expression, and finds the act of art making quite therapeutic and enlightening. She feels that it is an honourable experience to guide and teach others to this awareness.

‘Tide pool’ 

2020, Acrylic on canvas 51 x 61 cm, NFS

Artist Statement: Inspiration for ‘Tide Pool’ was drawn from the Carey hole in Newcastle, and also in a metaphorical sense it reflects the landscape of the mind. It portrays a treasure trove of marine delights, in a tiny yet complex ecosystem. It was fascinating to create this piece, explore and experience where these hardy inhabitants survive the pounding waves, forceful winds and exposure to the sun.

‘Enlightenment’

2018, Mixed media on board 45x 60cm,  $160

Artist Statement: My work ‘Enlightenment’ was created while pregnant with my second son, and in the depths of exploration of self. It reflects the childbearing woman, nourishment of breastfeeding, and the correlations between nature as a source of life and an inspiration for personal reflection and emotional growth.

‘Eye don’t know’

2019, Mixed media on board 30x45cm, $120

Artist Statement: ‘Eye don’t know’ was created and guided by intuition. The repetitive use of the third eye symbol is a reflection of self- what it is to be human and woman, and the connectedness to the universe. The gaze of the figure holds painful yearnings and love that is so potent and melancholy that it lingers. It’s a love that lunges forward in anticipation, but with nothing to meet it…